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Sylvie Fleury
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Thank you, fuckyeahillustrativeart ♥ ♥ ♥
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Did this little illustration for the Bartkira project. Its supposed to be Todd Flanders as Kiyoko.
Jaime! this is so kool.
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Marina Abramovic meets Ulay
“Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. at her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”(Source: carlosbaila, via gesssica)
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The Story by Mobstr
This put a smile on my face. Continuing on from Mobstr’s “Playing With The Buff Man” series, The Story tells the tale of the on going dance between the artist and the so called “Buff Man” as they both fight for control over the wall.
(via youknowrob)
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Justin Lieberman, Super Supplemental #19, 2012. Collage mounted on canvas. 85 x 62”. Courtesy the artist.
Lieberman’s S. A. C. (Student Art Collective) currently participates in SculptureCenter’s 2012-2013 In Practice program, culminating in an exhibition of new work. Double Life opens at SculptureCenter on January 13, 5-7PM and runs through March 25.
This is neat.
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Stuart Davis, Blue Café, 1928
From the Phillips Collection:
In Blue Café Davis painted a frame around the image and suspended the forms against a background of solid pink, emphasizing the two-dimensional picture plane. The space of the composition is compressed within the painted frame and the buildings reduced to simple geometric blocks. He transformed the curls of smoke rising from the chimney into taut squiggles. In the sky a schematic musical staff, on which is placed a figure—either the number 8 or a bass clef—hovers in the upper part of the composition. It suggests sound, perhaps that of a Parisian street or café music, which Davis greatly enjoyed during his residence in the French capital. Hovering in the sky, the motif emphasizes the flat surface of the canvas as if to counteract the curve of street, which implies spatial depth. In contrast to the cool objectivity of the Egg Beater series of the previous two years, the Paris works retain the identity and buoyant atmosphere of their subject, revealing Davis’s love for that city.
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Magnificent new Taschen collection of R. Crumb’s sketchbooks. Also see how R. Crumb revolutionized album art.